Ojo, means “rain” in Yoruba, emerges from being in conversation and accompanying  two Vodoun priests performing rituals intended to invoke or prevent rainfall. The series explores ritual as a site where ecological, spiritual, and social realities meet. Gestures, prayers, and incantations become ways of relating to environmental uncertainty and responding to the changing conditions of the living world.

Rather than approaching ritual as spectacle or folklore, the work attends to its relational and embodied dimensions, staying with the movements, repetitions, and forms of knowledge carried within the practice.